Photography Blog

James Tarry's photography blog. Ramblings from a photographers over active mind. Email now or call +44 (0)7855 742 633.

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Mind State Project: Update

Been a good couple of months since I've posted, there are a couple of reasons for this; 1/ i've been lazy and 2/ I've been busy! ha 

I've been continuing the The Mind State project and I have completed a number of new images and scrapped even more than that. Mid way through waiting for some new Black and White to arrive I tried to switch it up by buying old Polaroid colour film but both boxes were dry and unusable. In the end it made sense to keep this whole project Black and White especially as it seems to be more reliable. 

Last week "29.01.2017" made its first outing into the world and hung on the wall of Salon Des Refuses exhibiton in Islington. As a 54" x 40" print, it dominated our living room but on a gallery wall it seemed (to me at least) to lose some of its impact. I have always wanted these prints to be huge and immersive so I felt a little disappointed. However, long term-I'd like to get these into a gallery all on their own so there will hopefully be time to sort that "isssue" out. As it stands 54" x 40" is big enough-it will certainly look impressive come The Other Art Fair in October. I just hope that they attract the attention they seem to be getting in the online world. In the last couple of months since really chucking everything at this-the amount of people either being in touch about it because the subject has connected with them or because they love the trees/look and feel has been really nice. 

In other news I have been on Jon Wilkenings Podcast. He and others have been nagging at me for ages to do this, but as someone who finds talking on phones extremly stressful I had been putting it off for equally as long as they've been nagging! It touches on the project, my past and my commercial work. You can listen below:

And I think thats it for now. I will leave you with a few images from the series and behind the scenes of it all. Until next time.






2017: Pinhole photography and Instant film

New Year and a new set and style of images. 

This new direction has been on the cards for a very long time now but trying to get all the ducks in a row to produce it was proving difficult: the pinhole camera was delayed nearly a year, the instant film is pretty experimental and also very expensive for only 5 shots per box. 

Ultimately I wanted to produce a set of images that were 'dream like', calming and atmospheric in quality hence the pinhole camera choice. I also wanted them to be insanely imperfect, which lends itself well to the New55 instant film as the spread of chemicals is never quite the same and often bleeds out. In my head I think I was also aiming for less photorealism and more of a 'painterly' quality, they (I believe) will look really fantastic printed on some textured paper, and big, of course. 

The B&W film packs seem to work better then the Colour for me, they also have the added bonus of being on a sort of textured paper so when zoomed in you can see cracks, like dried paint..... the B&W packs are also £5-10 cheaper so there's that too!

They are very different to my previous work, which tend to be big bright colours but I feel they still fit within the same realm as I further try to push film photography. My main concern is that they do not translate well on a screen and to really 'get' them they need to be printed. Either way, I'm looking forward to continuing with this, getting feedback on them and hopefully showing it this year at an Art Fair or two during the year. 





Thank you for reading-If you enjoyed please hit that subscibe button, I have a few plans over the year that might be of interest. If you have not voted for me in the Finals of Art Of Building 2016, you can do so here , my Gherkin photo (below) was selected from 2000 entries and needs your help to win :-) 




Art of the Building 2016 competition finalist


Apologies for the slow blogging of late, its been a pretty full on last few months after The Other Art Fair with little time to sit down and update. 

This morning I woke up to the BBC website informing me that I had been selected in the final 15 of the 'Art of the Building 2016' competiton run by the Chartered Institute of Building with my triple exposure 4x5 interpreation of the Foster + Partners "The Gherkin". 

A fantastic way to end the year and an honour to be selected amongst the thousands of entries. It now goes to a public vote: So, here I am asking if you like this photo to please click the link below and vote for it. It would be very very muchly appreciated, and of course a Happy Christmas to you all :)

Limited Edition Prints of 'The Gherkin" are also available for sale via Saatchi Art on the link below:

Everyone is producing better images than you........

Hello there, its been a while since I last posted due in part to work, laziness and a holiday! I returned this week from a 8day trip to the wonderful city of Lisbon, if you've never been I would suggest you go, its fantastic and sort of like San Francisco, but cheaper! That though is not really why I am writing or for that rather tenuous click bait style title.

Before my holiday I managed to complete a third image of the surfers in San Diego (see below), and it conjured up an idea, a continuation of an idea I guess. Lisbon has a number of beaches nearby(ish) and some of those are surfing hotspots, I wanted to continue this project on that route. So, I bought a needed longer lens for my Hasselblad a couple of boxes of film and the confidence that I now know how to do and replicate these images. 

To get to the coast from Lisbon you have to take a train (if you do not have a car-which we did not) its 40mins and only 5Euros return. There are several 'hotspots' on this train line, and none of them had any surfing going on. So we walked, and walked, and googled, and walked. Nothing. The 'best' beach, which happens to hold championships on was too far to walk, too difficult to get to without a car and so we abandoned it. On the way back I spotted little dots on the horizon and we fled back the way we came and low and behold, by a jetty a nice break with 4 decent surfers on. I loaded up, and shot away......7 shots in is when is when I noticed the film was not winding on. Ripped that out, stuck a new one in and of course the surf died off. One surfer left, the others hung around for a bit and then they all left. 4 shots. Not great. 

I needed to get to the other beach but with only a couple of days left, I planned to get up early catch a train back on the Saturday and hike or rent a moped if necessary to the beach. As it turns out there were some taxis hanging around so 10Euro later I found myself having coffee over looking a stunning beach with a world class reputation..... 2 hours and a bunch of surf schools later I had to leave with virtually nothing in the can. All I got was a couple of shots of people walking with their boards and a couple of bodyboarders paddling out-Frustrating. Still, it could be enough, for at least one new shot.......... could be. I have since developed those 2 rolls of film, played around with the images, and there's nothing. Individually the photos are fairly decent, but I cannot for the life of me get them to work like the San Diego ones. I am so annoyed, which brings me to the title of this blog. 

We have discussed before that it is so easy to fall into the trap that everyone else is producing world class images, better images, more consistently and frequently. We see photos every day being shared, all over social media, we see the "look i've been awarded this", "I've been selected by this gallery" blah blah type posts every day too... It is easy to feel bummed out about your work, my work. In fact I felt it after this trip. I feel it today as I write this. It has hacked me off that I have nothing new to show, I started to feel that the San Diego shots were just a fluke. Heck, this week Twitter has had an influx of architectural photos on it and I've been beating myself up about this aspect too (the job side). 

Fellow Twitterer Jon Wilkening recently started a podcast about creatives and his latest one with Mike Sakesegawa  brings up this topic of the visible creative pressure we all go through and its well worth a listen (see below). We must remember (I must remember) that more often than not all we see on Social Media is the success, we ourselves see and live with our 'failures' so it hurts more, becomes easy to beat ourselves up about, but those people sharing all those wonderful photos and art work, they have the downs too, its just more often than not they don't share them. 

There's no simple answer to this apart from believing you are on the right track, keep keeping on, try to understand every single person who has ever tried to create anything goes through this. No, everyone is NOT producing better images than you. Me? I'm still going to sulk the heck out of last week, beat myself up, be annoyed by it, threaten to burn, crumple and destroy those negatives.....the only real way that feeling is going to change is by writing about it, sharing my fails and continuing with the project and nailing one somewhere down the line, hopefully. 


** in a random turn of events **

So shortly after this was posted on Twiter Sandeep aka @Givemeabiscuit came up with the idea of addressing the balance and sharing our not so great images... we are calling it #mediocreMonday. So come on come all, this Monday we shall all post a really boring, dull, rubbish photo that we've taken..... its a bit of fun, it helps quash all the anxiety and puts us all on a level playing field, pro or amateur! #MediocreMonday, lets make it a thing :) 

Show Your Work: The Other Art Fair

The stands have long been taken down, the dust has settled and a week has passed. The Other Art Fair at Victoria House has officially ended and is now on its way to Bristol. This was my second fair and in terms of sales, my most successful but also in just about every other way too. 

From a personal standpoint I think I had learnt a lot from the first fair that I had done, in presentation, pricing and size of prints on offer. Also, and despite having a major panic about 3 months before that 'I did not have anything new to show' my initial project idea had miraculously evolved into something else altogether. A mixture of sheer luck and half asleep inspiration, the images I had on show had come from nowhere and had thankfully caught a lot of attention. 

I am a huge believer in the "show your work' attitude to art and photography. Its taken many many years to get to this comfortable position, my first ever gallery showing I would not even go in the gallery to see my work hung, let alone "put it out there" in its progression phase. But I firmly think sharing your fails and successes help tell the story of your work, and if you have followed me on here or on any of my social media spots you will know quite how long and hard this road has been! Ultimately It helps not only to create an audience but an audience that liked what you are doing and one that will then share to friends and maybe even buy it. I've spoken before about Austin Kleon and if I did not buy into his "Show Your Work" philosophy I would now after how the fair went. It was summed up when one friend (Chris Mann), who started out as just some chap off Twitter several years ago, popped along, pointed to a print and said: "I'll take that one please. As soon as I saw you post these new photos on Twitter, I knew I had to have one" and he wasn't the only one either. Thats the power of being open to being open! 

No doubt I have a lot to learn still. Like many photographers and Artists I think we can quite often have a terrible judgement on our own work. I was convinced that the Eiffel Tower photo (Above and Centre) would be the photo that stopped people, but in fact it was the San Diego Surfer photos, especially 'San Diego Surfers V1' (below) that stopped most people in their tracks on my little stand-I have since sold that lovely big edition of 25 twice now, which is incredibly pleasing. The architectural prints tended to stop people because they recognised them but never felt like they were ever going to sell-but thats ok, I still love them and they were a massive part in the progression of where I am and where it is all going.

Did my costs break even at the end of it? No, not even close. But I felt a lot of progress, in the sales I did make, how to market my work and more importantly that I feel I am on the right track with this series as a whole. We all want to sell our art, while creating something tangible is the number one reason we all do this, selling it is and it being on peoples walls is close behind. All in all, considering the first fair I sold exactly £0 this was an improvement! 

Standing on my feet for four days, talking constantly, answering questions on questions (especially on "how did you do it?", "What camera did you use?" ...... sigh) and trying to sell is exhausting that is for sure and this week, a full working week straight after has been hard. October 2016 is the next event I will apply for, yes, I will go for it again. Why? Because:

a/ I love The Other Art Fair- the team, organisation, PR. The amount of people that they get through the doors and past your art work (12,890 visitors this year) you just would not get at a gallery in such a small space of time. Also, I get to hang around with a number of other incredible artists.....  this time: Andrew McGibbon and his insanely good animal photography. The crazy talented storyteller Gillian Hyland, newbie Gareth Hayward with his gorgeous stripes and Colin McCallum's fantastic eye popping paintings. 


b/ Showing my art work.... thats all I want to do. 

Big thanks to all that organised it and those that came by, supported, said hello and dipped into their pockets. You all know who you are! Until next time.